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Gal gadot wonder woman 19846/17/2023 ![]() Originally introduced by director Zack Snyder in 2016’s “Batman v. She’s a fantastic, smart, amazing woman to work with, and I’m very proud to call her my friend.” And then we did it together, and only we know how it felt. I feel like we were the underdogs that no one believed in. ![]() The first ‘Wonder Woman’ was the movie that I really feel was my breakout, and same for her. “And the fact that we are on the same page and see completely eye to eye and have the same intention for the character and how we want to make the audience feel. “I’m very lucky that I got such an amazing partner who has such a clear, distinct vision about Wonder Woman and who she is,” says Gadot of the director. (The duo will re-team next year for a new take on historical epic “Cleopatra.”) No matter what challenges the character faces, Gadot says she always feels secure working with Jenkins. The vulnerabilities this time around include her affection for Trevor - Gadot and co-star Pine effortlessly slip back into their winning chemistry, even when he’s sporting an ultra-’80s fanny pack - and an unexpected decline in her powers. And nowadays, I’m really in a place where I just want people to see what we did.” But the fact that it’s going to be on HBO Max domestically just means that more people are going to be able to watch it in America. Of course this movie should be in theaters, and it will be. “Of course we made the movie to be seen on the big screen - we shot on film for IMAX and had Hans Zimmer scoring the entire film. “It’s funny because we could’ve never anticipated when we shot the movie back in 2018 that it was going to be so relevant to now,” says Jenkins. They face new villains Maxwell Lord (“The Mandalorian’s” Pedro Pascal) and the Cheetah (Kristen Wiig), and take on a crisis that threatens to plunge the entire world into chaos. “Wonder Woman 1984” reunites the heroine with her long lost love Steve Trevor (Chris Pine), mysteriously resurrected more than 70 years after his death. Whether viewers are watching at home, at a drive-in or socially distanced at a theater, seeing Diana Prince back on track is sure to provide welcome escapism after a brutal year. I certainly hope that, once the pandemic is over, things will go back on track.” I can’t see studios making tentpole movies just for the streamers because it’s a 360 experience to go to a theater and experience that. I hope that, once the pandemic is over, all these wonderful big movies with great filmmakers and stars will go to theaters. “But in pandemic times, you just don’t know. “Before the pandemic, I would’ve flipped out and had a tantrum and fought super hard” for a traditional theatrical release, she says. For Gadot, who is in the midst of a flurry of press to promote the release, the important thing is not where audiences will catch up with Wonder Woman, but the fact that the film is coming out at all. Pictures / DC Comics)īut despite all the industry drama, nothing about what audiences will see in “Wonder Woman 1984,” which wrapped production in 2018, is any different than they would have seen this summer. Others label it a myopic move that shortchanges the talent involved in the projects in an effort to turbocharge the anemic launch of Netflix and Disney+ competitor HBO Max. Some call it a betrayal of the exhibition industry, which has been hard hit by coronavirus shutdowns. That fact, and the subsequent announcement from the film’s studio, Warner Bros., that its entire 2021 slate of films would premiere the same way, has drummed up significant controversy. Instead, in a sign of how swiftly the COVID-19 pandemic has turned the industry upside down, “Wonder Woman 1984” will become the first tentpole title to premiere in theaters and at home simultaneously when it hits the streaming platform HBO Max on Christmas Day in the U.S. ![]() Disney’s “Mulan” would have opened in March.) (Marvel had “Black Widow” scheduled for May, followed by “The Eternals” in November. And it would have played a central role in what looked like a watershed year for female-directed tentpole movies. Originally scheduled for release in June, “Wonder Woman 1984” was seen as one of summer’s surefire hits.Įxpectations were so high that industry observers forecast it would gross $1 billion worldwide, besting the $800-million-plus global gross of the original. Three years after the DC Comics icon became the first female superhero to headline a contemporary blockbuster, a much anticipated sequel reunites breakout star Gal Gadot with powerhouse director Patty Jenkins. Wonder Woman is breaking new ground yet again.
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